JRSL Interiors – High-End Painters and Decorators in Islington, London N1

In over 25 years, we have managed to build a trusted name for ourselves in Islington. Our work is often recommended by designers, architects and residents alike. From elegant flats to grand Georgian homes, we bring an unrivalled level of care and attention to every space. Our approach remains the same: thoughtful, tidy and detail-focused. This methodology has helped us to collaborate with many remarkable clients and talented professionals over the years.

Streets like Upper Street showcase a blend of late Georgian and early Victorian façades, while backstreets reveal hidden squares and worker cottages. The post-war era brought both modernist housing estates and conservation efforts, balancing progress with preservation. Today, Islington is celebrated for its architectural contrasts—heritage buildings repurposed into modern homes, cutting-edge infill developments beside listed landmarks. 

Consultation

• Detailed property survey
• Logistic planning and client requirements aligned with heritage guidelines
• Detailed property survey
• Logistic planning and client requirements aligned with heritage guidelines
• Detailed property survey
• Logistic planning and client requirements aligned with heritage guidelines
• Detailed property survey

• Mouldings and beadings restored using a two component polyester filler
• Exposed internal joins filled with a black acrylic flexible filler 
• Surfaces abraded using silicon carbide ‘wet and dry’ finishing paper and high quality abrasive pads
• Exposed internal joins filled with a black acrylic flexible filler 
• Mouldings and beadings restored using a two component polyester filler
• Exposed internal joins filled with a black acrylic flexible filler 

• Paint: Sikkens Rubbol XD Gloss colour mixed to ‘French Ultramarine Blue’
• Toupret Gras A Laquer used as a base for finishing the gloss to a mirror surface with higher levels of sheen and paint additives for improved application structure
• Toupret Gras A Laquer used as a base for finishing the gloss to a mirror surface with higher levels of sheen and paint additives for improved application structure
• Toupret Gras A Laquer used as a base for finishing the gloss to a mirror surface with higher levels of sheen and paint additives for improved application structure

• Antique brass door hardware and ironmongery reinstalled 
• The finished work delicately protected using a low tack polythene film until the remainder of the works inside the building were complete
• Antique brass door hardware and ironmongery reinstalled 
• The finished work delicately protected using a low tack polythene film until the remainder of the works inside the building were complete
• Antique brass door hardware and ironmongery reinstalled 
• The finished work delicately protected using a low tack polythene film until the remainder of the works inside the building were complete
• Antique brass door hardware and ironmongery reinstalled 

• Restored period features
• Enhanced lighting
• Seamless blend of traditional and modern

Client: Emma Wallace, homeowner and interior design consultant

Emma had recently acquired a Grade II-listed Georgian townhouse on a quiet crescent near Canonbury Square. While the home retained many original features, decades of surface wear, unsympathetic past refurbishments and persistent damp damage had left the interiors tired. Emma wanted to preserve the building’s architectural history while creating a contemporary family home that was refined, durable and authentic to the property’s heritage.

We began with a full consultation and condition assessment to identify underlying issues and historic elements worth preserving. From there, we undertook the project in four key stages:

1. Surface Preparation: All previous coatings were gently removed using non-abrasive methods. Where damp had caused bubbling and plaster degradation, breathable lime plaster was used for repair and the walls were stabilised with casein primers.
2. The original cornicing in the main reception room was partially lost or damaged. Our team carefully reinstated mouldings using custom runs based on surviving segments. All timber surfaces, including shutters and stair balustrades, were stripped and restored using traditional shellac and linseed oil systems.
3. Bespoke Colour Finishes: Working with Emma’s preferred palette, we colour-matched heritage tones using Edward Bulmer and Paint & Paper Library finishes. We used mineral-based paints for breathability in the basement and first floor and water-based enamels on joinery for a durable satin finish.
4. Hand-Painted Joinery: The kitchen and library units were hand-painted on site to achieve a brushless, even look. For longevity, a durable hybrid enamel in custom-mixed tones was applied over fine surface filler and shellac-primer coats.

Emma’s home was transformed into a serene, timeless space that combined the beauty of its period features with crisp, contemporary detailing. Light now plays across chalky walls and restored cornices and the subtle colour scheme flows room to room. Most importantly, all finishes used are breathable, VOC-conscious and compatible with the home’s age and structure.

"JRSL Interiors truly understood the balance I was looking for– sensitive restoration with a fresh, current feel. Their team was methodical, respectful and deeply skilled. Every detail was discussed. I couldn’t be happier with the results.

From start to finish, JRSL Interiors carefully planned and progressed our decoration. Their attention to detail, respect for our property and ability to work seamlessly alongside our builder and designer were exceptional. The final finish is stunning and the process was as smooth as we hoped."

• View the external redecoration of a 6 story Grade II listed house in Mayfair, London W1K link
• An insight into redecorating a Hampstead Residence, London NW3, with luxurious bespoke finishes throughout link

We begin with a thorough inspection and align our materials and methods to conservation guidelines. We use breathable paints and avoid acrylics where inappropriate.

We work with Little Greene, Edward Bulmer and specialist labs to custom-match colours using samples or archive references.

We recommend a durable eggshell or satin finish, often with water-based hybrid enamels for a smooth, brush-free appearance.

We offer out-of-hours working, use quiet tools and maintain clean, isolated zones to minimise dust and noise.

Absolutely. We use low-VOC, non-toxic paints and wipeable finishes to create safe, long-lasting interiors.

Yes. We regularly coordinate with architects, joiners, kitchen makers and design teams to deliver seamless project integration.

We assess all substrates before painting. We conduct local plaster repairs where necessary, stabilise damp areas and use breathable primers.

A full-house internal decoration may take 4–6 weeks. Smaller projects (e.g. kitchen repaint or two rooms) can often be completed in 1–2 weeks.

Yes. We can guide you through tonal combinations, light effects and finishes to achieve a balanced, coherent palette.

Yes. Our workmanship guarantee and comprehensive public liability insurance back all projects.